REVIEW | Snow White

Disney’s latest live-action adaptation of Snow White has generated considerable discussion among audiences and critics alike. The film aimed to reimagine the beloved 1937 animated classic, introducing new elements while retaining the original tale.​

Rachel Zegler stepped into the iconic role of Snow White, delivering a performance that brings a modern sensibility to the character. Her portrayal infuses Snow White with agency and determination, aligning with contemporary expectations of a proactive heroine. While Zegler’s musical talents are evident, some viewers found that this updated characterisation departs significantly from the traditional depiction, potentially impacting their connection to the character.​

Gal Gadot as the Evil Queen, an objectively significantly better-looking woman than Rachel Zegler, was an interesting choice. Gadot got to sing an original song All Is Fair which attempts to provide deeper insight into the Queen’s motivations. While the intention is to add complexity, the execution has been met with mixed reactions, with some finding the song’s integration into the narrative less effective than anticipated. ​

The film boasts lush production design, with elaborate sets and costumes that aim to transport viewers into a fantastical realm. The attention to detail in the visual aesthetics is commendable, capturing the enchanting atmosphere synonymous with fairy tales. However, I was severely disappointed in some of the costuming. I see some cheap shiny lining in some scenes under Snow White’s dress and some awful choices for the Evil Queen. The Evil Queen’s costuming was disappointing, particularly her long iconic cape. The back panel was the most disgusting fabric choice I have ever seen. It screamed, ‘How can we make a cheap costume to sell to kids?’. Horrible crown, cape, and crap costume jewels.

The screenplay introduces new plot points and character dynamics in an effort to modernise the story, which results in the narrative feeling disjointed. The pacing fluctuates, with moments that engage followed by sequences that may not hold the viewer’s attention as effectively. Including new songs contributes to the film’s attempt at revitalisation, yet their memorability varies.

Viewers’ reactions to the new Snow White are polarised, to say the least. For me, the film lacked the magic that defined its predecessor. Compared to other Disney remakes like Cinderella, this one falls short of expectations. ​

OUR RATING:
2/5