Roadshow films are pleased to announce the following Golden Globes nominations for a theatrical film. The Disaster Artist, I Tonya, Dunkirk and All the Money in the World, have all received nominations in the Theatrical category.
THE DISASTER ARTIST
With The Disaster Artist, director James Franco transforms the tragicomic true-story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau—an artist whose passion was as sincere as his methods were questionable—into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds. Based on Greg Sestero’s best-selling tell-all about the making of Tommy’s cult-classic “disasterpiece” The Room (“The Greatest Bad Movie Ever Made”), The Disaster Artist is a hilarious and welcome reminder that there is more than one way to become a legend—and no limit to what you can achieve when you have absolutely no idea what you’re doing.
I, TONYA
Tonya Harding dominated the ice with unrivalled athleticism. She dominated the headlines for something else entirely. I, Tonya is an at times absurd, tragic and hilarious look at the woman at the center of the biggest scandal in sports history.
DUNKIRK
Dunkirk opens as hundreds of thousands of British and Allied troops are surrounded by enemy forces. Trapped on the beach with their backs to the sea, they face an impossible situation as the enemy closes in. The story unfolds on land, sea and air. RAF Spitfires engage the enemy in the skies above the Channel, trying to protect the defenceless men below. Meanwhile, hundreds of small boats manned by both military and civilians are mounting a desperate rescue effort, risking their lives in a race against time to save even a fraction of their army.
ALL THE MONEY IN THE WORLD
All the Money in the World follows the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother Gail to convince his billionaire grandfather to pay the ransom. When Getty Sr. refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal. With her son’s life in the balance, Gail and Getty’s advisor become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.
