I went into this movie with zero expectations, preparing myself for a psychological thriller with that guy from Love Actually. I got a film filled with an existential crisis, warping perceptions and realities. The writing, done by directors Scott Beck and Bryan Woods, is brilliant drawing similarities and poking holes in belief systems that bring sanity into question. Ensnaring the viewers leaving loose threads for us to pull and inspect, to unravel. Two fallible protagonists that are so endearing with beautiful and tragic character development and an antagonist that keeps you guessing.
In recent history, Hugh Grant has had a streak of endearing characters with a dark side. He embraces a different type of darkness within this role, one of true insanity born through infatuation. At every turn, you’re left questioning motive. A wolf dressed in your weird uncle’s wardrobe, I thoroughly enjoyed seeing him dance the line and pull viewers in.
Our protagonists are two evangelists of the Church of the Latter Day Saints AKA Mormons, Sisters Paxton and Barnes. Sister Paxton is sweet, innocent, bright-eyed and bushy-tailed with seemingly unwavering faith and passion to share the “lord’s word”. Chloe East does a beautiful job in this role from the light and fluffy moments to the unladen terror. Her costuming of a soft pink cardigan with a summer blouse and billowing skirt lent to her innocence with a tweed coat that fails to mature her. This costume mimics the transformation that she goes through throughout the film. Sister Barnes is her antithesis, astute, perceptive and assertive. Sophie Thatcher gives Barnes an air of certainty, an anchor through what occurs in the film. Her wardrobe reflects her character perfectly, all black, simple and elegant.
This film showcased excellent performances, a compelling storyline, and cinematography—all of which echoed the psyche of the characters we follow.
